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Now, the four modern critics of Cervantes whose views I wish briefly to survey here rank among the best literary minds of our time, and therefore—needless to say—they should have very little in common with the psychotic freak in King’s story, or with the country bumpkins who used to beat up stage villains at the back door of the theater. And yet, as we shall see, both the sophistication of the former and the crude naiveté of the latter bear witness to the operative virtue of one same magic: the reality of fiction .

Tu essayes essaies

tu essayes essaies

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